Music
(and Podcasts)
Year in Review - 2025
The List
(new to me in 2025)
Nothing beats the thrill of discovering a new song
I described 2024 as a “prolific year for finding new music”, but in 2025 I took that energy to new heights across dozens of new artists and hundreds of new songs that kept me jamming from January to December. The journey of discovering new music is deceptively challenging, but the listening habits I started developing in 2024 blossomed further in 2025 with new inputs, sources, and above all, a renewed intentionality to open myself to new sounds.
Let me shed some light on what my current process for finding new music looks like today. For better or worse, it all starts with the Spotify algorithm that kicks in after I finish playing a favorite album. There is A LOT to unpack here that is worth a separate article, in no small part because I’ve become increasingly aware and distrustful of how Spotify’s algorithm can bias your exposure based on criteria you aren’t even aware of. Complexities aside for the moment, Spotify’s suggestions have delivered plenty of hits for me; my shining example of this was just this past December, where after revisiting Coldplay’s 2011 Mylo Xyloto (a real vibe shift in Coldplay’s discography), the algorithm suggested to me Twenty One Pilot’s Hometown. Beyond being almost entirely unknown to me as a band, I’m always impressed HOW Spotify’s algorithm chooses the songs it does to put in front of you - Hometown is the 10th most “popular” song on their album Blurryface based on number of plays, but the song’s construction has a clear overlap with the stylings of one of my other favorite artists, White Lies, which made it immediately appealing to me. What followed was a December obsession with Blurryface.
So the algorithm can get it right, but music is an art, not a science, so of course I’m not always so lucky. In those periods where I’m not inspired but what I’m being served, I’m looking to the more human curators around me. First among those is my beloved fiancé Mara. In truth she deserves a lot more credit than I’ve historically realized; here’s a common interaction we have - me: “Where have I heard this song before? I really like it!” / Mara: “Because I put it on a playlist for you 6 months ago and you said you didn’t like it at the time”. Sorry dear. White Lies is the shining example of her influence, but there are plenty of artists like Clairo, Chaparelle, Wolf Alice, sombr, and many more who are now regulars on my rotation!
The last pillar of my music discovery journey is social media - TikTok & YouTube to be precise. TikTok is great for novelty, I often feel like this is the platform that exposes me the most to the completely unknown, up and coming artists. This is largely because the platform is so accessible to young artists who have grown up acclimated to short form video. It’s always impressive how many creative and talented people are out there, just waiting for their moment to shine. Music on YouTube has been around since the beginning, of course, but it’s fascinating how much the platform has evolved over the years. My niche is watching old performances - The White Stripes on SNL, The Cranberries performing in Paris in 1999, which serves as a great way to resurface older artists that I’m familiar with but want to explore more.
The search for new music can feel relentless, but I’ve developed an ebb and flow of prioritizing new artists and then taking a breather to go back to some of my favorite albums of yore, not to be forgotten! There is no right answer for me or anyone about how to listen, but I’ve become convinced that balancing the comfort of the old with the journey of discovering the new is the balance that best suits me.
Spotify Highlights
Concerts
I cut down on the number of shows I attended in 2025, but the quality absolutely made up for the decrease in quantity. I added 3 artists to my running list of "I’ve seen them live!” (The Kooks, Regina Spektor, Hozier) and was able to see Royel Otis again, John Craigie for a third time, and Blind Pilot for my 15th and 16th times respectively! Every show was very memorable for one reason or another, but two in particular I have to shout out:
Blind Pilot & John Craigie teaming up felt like a lineup purpose built for me. It was even right near by birthday! The show was at Seattle’s new Pier 62 venue on the water, and it was a perfectly sunny day. John Craigie opened and was as groovy as ever. Blind Pilot closed out the show, and included one of my all-time concert highlights when they brought John Craigie out to cover Gillian Welch’s Look at Miss Ohio. Incredible.
Hozier’s concert was my birthday gift to Mara. He’s an artist I’ve liked, but haven’t yet had an obsessive phase with yet. Given the T-Mobile venue and the birthday experience, I stumped for some seats in center field just behind the standing section, but with a central view of the stage. I’m so glad I did because the view was amazing, and the sound quality fantastic. What stood out the most, beyond Hozier and his band’s brilliant musical fusion (11 members?!) was his stage presence. He spoke to key issues of social justice, highlighted his bandmates at multiple moments, and even went into the crowd at some point. Considering how many shows someone like him probably does, it was the exact opposite of phoning it in, and it really showed.
Blind Pilot
February 20, 2025
Neptune - Seattle, WA
Regina Spektor
July 28, 2025
Woodland Park Zoo - Seattle, WA
The Kooks
June 21, 2025
Showbox SoDo - Seattle, WA
Gigi Perez & Hozier
August 14, 2025
T-Mobile Park - Seattle, WA
Royel Otis
August 5, 2025
The Paramount - Seattle, WA
Blind Pilot & John Craigie
July 24, 2025
Pier 62 - Seattle, WA
The Wolf-Krugman Exchange
I came by way of this podcast via the Financial Times, where I’ve long followed Martin Wolf for his economic and political insights. In this series of dialogs with Nobel Prize-winning economist Paul Krugman, they discuss the key geopolitical, economic, social, and technological forces impacting society today and what they may portend for the future. In other words, it’s catnip for a listener like me.
Though the conversation’s veneer is seemingly dry - two older white guys talking softly into a mic - both have tremendous perspective on the topics they discuss, and I consistently felt like their takeaways were incredibly prescient. Across China, Mamdani, Trump, and the rise of populism, these conversations won’t necessarily leave you feeling hopeful, but they will leave you very informed on the state of the world. What we do with that info is certainly the more challenging question.
Synthetic Sounds
Written August 2025
Does AI music have a bright future? I’m hoping not.
Month by Month
January
February
March
April
May
June
July
August
September
October
November
December
My Favorite New Artists of 2025
Dean Johnson
sombr
Dean was a last-minute opener for Blind Pilot in February when I went to see them at the Neptune, the previous opening act having dropped out for a reason I can’t remember. Dean was instantly likeable with his soft-spoken but high voice, and melancholy stylings that he was comically self aware of. Though I enjoyed the performance, it wasn’t love at first sound, but rather a series of melodies that slowly, and softly, became burrowed into my head. Dean is a new favorite and apparently a Seattle local; I hope to buy him a drink one day.
Hayde Bluegrass Orchestra
Obsessing over a bluegrass band from Norway was not on my music bingo card for 2025, and yet here we are. Hayde (pronounced “hide”) Bluegrass Orchestra are a tremendously talented multi-piece band who have brilliantly covered songs such as Wayfaring Stranger and All My Tears. What’s most striking initially is the hauntingly beautiful vocals of lead singer Rebekka Nilsson, but the every member of the band shines through in their musicality. I was so taken with their only Album, Migrants, that I also watched the 30-minute documentary they put out about it’s making which gives a great insight into their personalities and the deep care (and egos) they all poured into it. Can’t wait for the next album!
Clover County
I don’t have anything super profound to say about Clover County, except that she calls her style “bootgazey” and I totally get it. Her voice and sound are mesmeric to me in a way that just is; I can’t explain it.
Susto (String Band)
My Favorite Album of 2025
I don’t typically reflect on a favorite album but instead a favorite artist. This year, that didn’t feel quite right when I think about my favorite piece of music from 2025. Susto String Band’s debut album, Susto Stringband (Volume 1), was far and away the best thing I listened to this year (and again and again and again). But it wasn’t entirely novel, which is to say that the majority of the songs were a bluegrass-styled reworking of the artist Susto’s original work.
For the unitiated on Susto (as I was), his original work is psychedlic, if I were to only pick one word. I like it, to be sure, but it was the bluegrass sound that really caught my ear. Credit to Susto, who collaborated with Asheville, North Carolina’s Holler Choir and recognized that there was some magic there.
Double Crown was the first song that really grabbed me and remains my favorite all these months later. That said, I had a whole phase with God of Death, which always says so much to me about how good an album is when you have trouble deciding what your favorite song is.
Ultimately, I can’t help but fixate on the “Volume 1” description of this album and really hope that a Volume 2 is in the works! In the meantime, I’ve spent some more time exploring Susto’s original catalog, which is really growing on me. Even so, I am so glad he had the creativity and openness to restyle his songs in this way.